There is a Divine residence within the human being that reveals itself in symbolic imagery and language. It is the work of the artist to tap into that numinous internal reality and allow it to flow into the external world. Therein lies the hope of our species for understanding, balance and healing.

Shahna lives and works in her studio in Crestone, Colorado.

Following her return from studies in Hebrew etymology and medieval studies at Haifa University in Israel in 1973, Shahna established a ceramic studio in Santa Monica, California, where she produced Judaic ceremonial art and Hebrew micrographies. A scholar, a mystic, a gardener, an artist and a mother, Shahna incorporates all of her life experience into the quality of her work in the medium of copper.

The initial intention of Studio Moresca Coppperworks was to invoke the harmonies between Semitic cousins - Jews & Arabs - that emerged for the better part of 700 years, under Moorish rule during the Golden Age of Spain.

In resonance with her Moorish focus, an expanded, transcultural language of interwoven, natural, calligraphic and symbolic forms has come to call and emerges within her work.

Processes include acid etching, fretwork, punchwork, repousse and engraving. Some illuminations are embellished with precious jewel amulets. Where fretwork is incorporated into the design, mica (isinglass), stained glass, beveled glass mirror, industrial alluminum sheeting, colored acrylic mirror, and even washi paper have been incorporated as required. Colors are achieved through patina affects, polishing, heating, oxides, enamels, inks and acrylics. African mahogany, madrone, oak, cherry and other hard woods as well as cedar are among the backing and framing materials used.

Studio Moresca Coppperworks are hand-crafted and infused with baraka, the intention of healing, protection, and of overwhelming conflict with compassion and beauty.